Produced by Seoul Visual Collective, one of the leading Korean independent film productions, is a penetrating look at Korean independent filmmaking today. This documentary unfolds diverse voices and views within the independent filmmaking community, as it questions the past, the present and the future of Korean independent film. Are they happy when making films? How do they define independent film? Why do they still retain independent filmmaking today as things have been changed politically and aesthetically? what is their hope and despair? Incorporating archival footage and interviews into the director's own reflections, redefines Korean independent cinema which emerged as negation of status quo about twenty years ago and has continued its search for renewed gaze to the world. What the independent filmmakers have paid attention to is people's lives where various conflicts draw a front line. On the front filmmaking is also a struggle, tears, sympathy and hope itself. viewing from unquestioning mind, the front can be a mere marginal place. However, from the very moment when resistance takes place in every life, it becomes a center of the world. What the filmmakers see is a new center already existing and ever-growing in the marginalized lives. As the documentary covers diverse filmmakers of different generations and areas, we see the beliefs and self-reflections of the independents, as well as an account of dilemmas that filmmakers face. Kim Dong-won says that his life was entirely changed by making Sangkye-Dong Olympics, a documentary about evacuated homes because of Seoul Olympic Games. Sin Myung-wha looks at a distance with her wastery eyes, saying "I'm trying not to think of anything right now" when she faces the death of Mrs. Kang Duk-Kyung, former comfort woman during World War Ⅱ and collaborator on her documentary project. Lee Yong-Bae dreans to be forever with the spirit of 'Changsankot-mae', now dissolved filmmaking group. Nang Hee-Sub, one of the founding members of Independent Film Association, negates himself as not qualified for an interview. Kim Myung-Jun wishes to build good world where he can spend his life fishing. And there is Hong Hyung-Sook, the director of this documentary, observing them. is a critical look at a proud film community looking to build solidarity and new direction. 1997, digital & Betacam, 64 min invited to 2nd Pusan Int'l Film Festival invited to 10th Int'l Documentary Film Festival Amsterdam invited to 28th International Forum of Young Cinema in 48th Berlin Int'l Film Festival

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Anchan and Deokwoo are inseparable friends, one helping the other approach girls and write love letters. Yet their feelings are drifting in different directions. This teenage romance movie delicately unfolds the narrative of “you don’t know how I really feel” with a sense of calm and tenderness.

暂无剧情简介

暂无剧情简介

혜주는 남편과 함께하는 결혼 생활이 너무 지루하고 권태롭게 느껴집니다. 다행히 일주일에 세 번 있는 요가 수업이 지루한 일상을 벗어날 수 있는 유일한 수단이 되었습니다. 그런데 새로 온 요가 선생 안나가 수상하게 느껴지기 시작합니다. 혜주는 안나를 피하려고 노력하고 신경 쓰지 않으려고 하지만, 마음이 제멋대로 되지 않습니다. 이로 인해 혜주는 자신의 감정에 대해 점점 더 혼란스러워지게 됩니다... 翻译：惠珠觉得和丈夫一起的婚姻生活非常枯燥和乏味。所幸每周三次的瑜伽课程成了摆脱枯燥日常的唯一途径。然而，新来的瑜伽老师安娜开始让人感觉可疑。惠珠试图避开安娜，努力不去在意她，但心却不听使唤。因此，惠珠对自己的感情越来越感到困惑……

暂无英文版的简介，请添加内容帮助我们完善数据库。

暂无英文版的简介，请添加内容帮助我们完善数据库。

이동 수단의 공간을 넘어, 지상의 공간을 통해 비전을 또 다른 경험으로 구현해 온 현대자동차의 지난 10년간 건축 프로젝트를 조명하는 다큐멘터리. 공간이 위치한 세계 각 도시의 환경과 지역 커뮤니티, 맥락에 맞춰 새롭게 시도된 6개의 모터스튜디오를 통해 공간이 가진 진정한 힘을 탐색한다. 영화는 각 공간이 품은 독특한 지역성과 예술성, 환경에 대한 책임감이 어떻게 도시 환경과 상생하며 일상에 역동성을 불어넣는지 보여준다.